Chet Chat with Chet

"The reason why I would do that is if we became the network of Facebook or the network of Google, we’d achieve that dream of mine overnight of being the next CNN and the next ESPN and the next MTV with the largest audience in the world. And it would be hard to say no to that not because of the money but because of the f***ing cultural impact you would have. At this point I don’t give a shit about money. Once you have a certain amount of money, it ceases to be an issue. I’d rather put my cultural imprint on the fabric of life. After money, all you want is immortality."

— Vice’s Shane Smith on What’s Wrong With Canada, Facebook and Occupy Wall Street - Forbes

"I learned that money can be a lot of things. It can be something
that is hoarded, fought over, protected, stolen and withheld. Or
it can be like an energy, fueled by the desire, will, creative
interest, need to laugh, of large groups of people. And it can be
shuffled and pushed around and pooled together to fuel a common
interest, jokes about garbage, penises and parenthood."

— Louis CK

TBGX Photobooth 351 (by The Barbarian Group)

timnolan:

Berg London kills it again. Little Printer.

Love this

jendotlu:

timnolan:

Girl Skateboards: Modern Chair Series

(via lazysundae)

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benjaminpalmer:

Telharmonium (from my previous post from mr. Eno)

Brian Eno talks about interesting instruments →

benjaminpalmer:

I was thinking today about a piece of technology that makes Daphne Oram’s graphic synthesizer from 1957, a centrepiece of the Science Museum’s new show, look quite conservative. It’s called the Telharmonium. It was built by a man called Thaddeus Cahill in 1906. He built three versions and the…

(Source: telegraph.co.uk)

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Would you guys still talk to me if I wore this bracelet?

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Memories: Me dancing in Virtual Cake Shop in MTV’s Virtual LES in 2007. 

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Siri calendar fail